How do you do?
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STREB: Well, for me, again, formerly, I'm trying to excise the drama of action without having to put a love story on top of it. Or "The Nutcracker" on top of it, those types of stories. And so to me, the I-beam is a visceral way to measure time and space exactly, not to fiddle around, to say that's all the time I have. Here, it comes. That's all the space I'm in. I'm out. And I think there's something very profound about seeing the human body out there with an I-beam in terms of temporal issues and spatial issues.